Between 2009-2012 I created these three full-length works. Each one wove together baroque or medieval music with contemporary Duncan-based movement, and sought to create a unified choreography of dancers and musicians. My current work is shifting in new directions: see research.  

Song of the Sibyl (excerpt) 
Dance, poetry and music exploration of the Sibyls myth cycle: Greco-Roman seers and goddesses who were both powerful and prisoners. Cast of singer, actor, dancers, original text Nika Gorodetskaya. Toured in London, New York, CT and Rome.


Bach Motets (trailer) 
Choreographed concert blurring the boundaries between singers and dancers, presented at St John’s Smith Square, concept and commission by the Musicall Compass. 

La Clausura Sconfinata (The Cloister Without Walls) 
Baroque music, Gregorian chant and modern dance interweave in an interdisciplinary work exploring the paradoxical inner richness of life within the cloister. 

"Urgent, beautiful and lonely all at once" - Cloud Dance Festival 
"...there is a freshness and freedom in Pond’s interpretation" - Nicholas Minns 
"One can witness the power of Duncan's pioneering technique" - Cloud Dance Festival
"...choreography is flowing and coherent, evoking recognisable baroque sculptural groupings - for example, a couple of Pietás" - Early Music Review